Lorde – The Love Club EP review



written by
John Hanson

John Hanson aka Johnny Rooftop is a musician and writer based in Boston. John has been focusing on his writing, performing, recording and sound engineering. Follow John on Twitter @johnnyrooftop, or visit john-hanson.com to stay up to date on all his projects.

Sixteen year-old New Zealand singer-songwriter has been making waves since the release of her first EP titled The Love Club. Her single “Royals” has been picked up by US independent and college radio stations and is gaining traction. Her voice sounds mature despite her young age and is cleverly recorded with complex, minimalist, yet forward-thinking beats. Lorde, born Ella Yelich-O’Connor, was actually signed to Universal at age 13 after an A&R scout saw video of her performing at a school talent show. Years later, she unveiled her talents to the world. Since blowing up the charts in New Zealand, Lorde released The Love Club EP in the US this June and saw it sell 85,000 copies in it’s first week.

Her songs are poppy and vocally driven, with innovative beats to rival the best in hip-hop. “Bravado” opens the collection with a sort of personal admission that she knew she was destined to be here someday. Our heroine sings: “I was raised up to be admired, to be known.” Layered vocals preclude the entrance of a dynamic beat. Lorde, who writes her own songs, sounds confident in her delivery. The nuances in the production make for a well-rounded and exciting listen.

“Royals” is far and away her strongest song on the EP. Witty lyrics describe an opposition to the materialistic boasting that is often found in pop-culture and popular music. She bounces through the pre-chorus, singing: “Everybody’s like: ‘Cristal, Maybach, diamonds on a time piece, jet planes, islands, tigers on a gold leash,’ we don’t care, we aren’t caught up in your love affair… we’ll never be royals….” This type of perspective is perfect for a generation more in tune to the issues of the world. The generation who is growing up with iphones giving them a world of information at their finger-tips… subsequently creating a generation too knowledgable to be caught up in meaningless materialism, especially in the midsts of today’s world economy. The layered chorus almost literally soars, bringing the listener to new heights of appreciation. “Royals” is infectious and content driven; it is no surprise this song is such a hit.

More impressive production is displayed on “Million Dollar Bills” and “The Love Club” which feature beats created out of Lorde’s own vocal samples. This innovation gives Lorde a unique sound. “Million Dollar Bills” has the energy of a club song mixed with the lo-fi keys one might find in a Foster the People tune. These tow songs sound more typical for a high school artist: cheeky and energetic. The closing track, “Biting Down,” has more of an experimental, “out-there” vibe, with Lorde unexplainably repeating “it feels better biting down” over a pulsing beat. 

Lorde has released a few singles since the release of this EP, namely “Tennis Court” and “Swinging Party.” She has plans to release her first full length album in September 2013, which will be titled Pure Heroine. With The Love Club EP, Lorde has successfully provided a teaser to build hype for a huge response on her first full length album. Stay tuned.


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