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Kid Cadaver – Kid Cadaver album review

Kid Cadaver are a three piece from Los Angeles. They have been active for the last couple of years, and this is their second release. I am personally not a fan of the bands name, to the point where I had to force myself to listen to the songs contained in the download link. While the name might make one think that this is going to be some kind of campy horror-punk band, the band is actually some kind of danceable electro-rock music, at least in my opinion. Right out…

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The Get Togethers – Home As In Houston album review

Great music can help us through some truly trying times. Even in some of our bleakest moments, having such a pure emotional outlet to hold onto can act as a sort of beacon, illuminating a strength in ourselves we never knew existed. This acts inversely as well. As musicians create, they pull from within themselves to overcome immense existential trials. Such is the case for Nashville, Tennessee-based The Get Togethers’ debut record, Home As In Houston. Released on September 24th, the group marries indie rock and pop with a finely…

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Crystal Shipsss – Dirty Dancer album review

Berlin based musical mastermind Jacob Faurholt is back with his newest creation under the moniker of Crystal Shipsss. This is a fairly lengthy affair, spanning 13 tracks in length, and will be available September 23rd. Crystal Shipsss seems to revel in schizophrenic isolation. The displaced quality of the vocal track in the overall mix would seem to bear testament to this fact. There are times when the vocals are swimming in a sea of aural chaos; lyrics such as the oft-repeated ‘I’m not crazy’ further reinforce this understanding. As with…

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Lorde – The Love Club EP review

Sixteen year-old New Zealand singer-songwriter has been making waves since the release of her first EP titled The Love Club. Her single “Royals” has been picked up by US independent and college radio stations and is gaining traction. Her voice sounds mature despite her young age and is cleverly recorded with complex, minimalist, yet forward-thinking beats. Lorde, born Ella Yelich-O’Connor, was actually signed to Universal at age 13 after an A&R scout saw video of her performing at a school talent show. Years later, she unveiled her talents to the world….

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Dylan Ewen – Alt 2013 album review

Basement shows are sometimes a mixed bag. When you’re half-cocked, sweaty, rubbing against a few dozen doing the same, any grunge-y blast of noise coming at you can be just as entertaining as the last. Amidst this blur often comes a hotbed of new ideas where people get ballsier than they would had they been playing for a more broad audience above ground. This can be a powerful force, although some musicians can get too comfortable in that reassuring cul de sac. It pleases me, then, whenever I hear an…

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Gogol Bordello – Pura Vida Conspiracy album review

The difference between disliking a band and respecting a band is an important one. If there is sufficient evidence that a certain group is a bunch of talentless hacks, than there’s nothing wrong with saying so. Being second-rate, by the way, has nothing to do with character and everything to do with artistry. Criticism need not be personal.  Over the last decade or so, Gogol Bordello has built up a reputation as an eccentric group of gypsy punks who are very talented at the stirring the pop cultural pot. Their…

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Demon Queen – Exorcise Tape album review

The LA electronic beat maker Tobacco has teamed up with Zackey Force Funk to make the tight outlandish sounds of Demon Queen. For anyone not familiar with Tobacco’s previous work, the creative sounds he laces into neo-industrial beat driven tracks seem to pull you in multiple directions at the same time, which can be a mind warping experience. Meanwhile, and unlike really any other rapper, Zackey Force Funk relies on his ability to croon, opting for a falsetto and soft-spoken delivery where other rappers typically boast with bravado. Tobacco is known…

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The Memories – Love is the Law album review

The Memories are a sun-soaked, dreamy power pop band based out of Portland, Oregon, sharing members with the punk outfit White Fang. Their most recent release (on Burger Records, a label with an impressive repertoire, to say the least) Love is the Law features seventeen songs to the tune of short and sweet. Simplicity, then, is the key stylistic element. The bare-bones guitar riffs supplement lyrics that stick to talking about girls and weed. Sound easy to get into? Transparent, almost? That’s absolutely right. Simplicity should never be interpreted as…

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Tobacco – Exorcise Tape album review

The heading for this current review is misleading. Yeah, Tobacco is involved in this record, but an entity who goes by the name of ‘Zackey Force Funk’ is involved as well. The end result appears to be called Demon Queen. There are actually a number of guest musicians on this one, but Tobacco and Zackey are the primary dudes on this recording. Not being all that intimately acquainted with Tobacco’s back catalogue, I dutifully cued up Spotify and took a trip through the weird, theoretically uninformed world of Tom Fec….

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Coke Weed – Back to Soft album review

While much less twangy than their earlier albums, Maine-based group Coke Weed’s third album Back to Soft maintains the band’s dreamy, psychedelic sound. With the haunting vocals of lead singer Nina Donghia and the resonating guitar that reminds me a little of San Francisco band Thee Oh Sees, Coke Weed’s new album is equal parts trippy and relaxing. Although the steady drum backbeat featured in many of their tracks paired with Donghia’s purr creates the illusion of laid back songs, upon closer inspection, Coke Weed’s lyrics can be pretty intense. Already reaching…

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