NYC band zerobridge continues to release a new track every month from July until with end of the year with September’s previously unreleased and not available until now selection.
Lead singer/songwriter Din comments on the new zerobridge single: “There We Were…” is a tune that I dug out from the vault from like 10 years ago. It was a song I had written with a friend of mine at the time for a different band. It was shafted but I had always loved it and kept it in the back of my mind. I finally decided to revisit the song and wrote a new arrangement and lyrics. It ended up fitting really nicely with the rest of our music and has since become a live favorite. Someone once said it’s the best Replacements song they’ve heard since the Replacements broke up!
I guess the song is some ways about coming to terms with the past or people in your past. What happens when you come face to face with someone you lost touch with or wanted to forget? You want to be as graceful as possible but it’s impossible to completely forget all that happened. Living well is ultimately the best revenge, right? Interesting note, there’s a reference in the song to Oasis for all the trainspotters.”
“There We Were, Now Here We Are” download direct link
zerobridge ANNOUNCE A NEW SINGLE RELEASE EVERY MONTH
FOR THE REMAINDER OF 2008 STARTING IN JULY WITH “LATE BLOOMER”
SEPTEMBER’S TRACK IS “THERE WE WERE, NOW HERE WE ARE”
AVAILABLE AS A FREE DOWNLOAD AT MYSPACE.COM/ZEROBRIDGE
It may seem like a gimmick, but zerobridge are self-releasing a single every month for the remainder of 2008 because there is no other alternative. Din explains, “We’ve been STRICTLY independent for as long as we’ve been together and maybe even more than we would like to be. We’ve accumulated a catalog of songs that no one’s heard outside our regional fan base and have not recorded until now. It seems that in this digital age for music, the single is the format of choice by the fans – and what better way for a band like us to establish ourselves and get our music heard than to use the internet as our distribution company. It’s still a challenge. Creating music still takes time and money, but it’s on our terms and while I still think they are necessary, we don’t have to deal with labels – just directly with music fans.”
It’s not often you hear about a band like zerobridge. Lead singer/guitarist and songwriter Mubashir “Din” Mohi-ud-Din and drummer Mohsin “Mo” Mohi-ud-Din are two brothers whose parents are from the disputed territory of Kashmir, nestled between northern India and Pakistan. Greg “The Quota”, seasoned NYC bass player, and guitarist Jay Barclay (Ben Kweller, Damnwells), round out the quartet who have been playing their own unique brand of melodic, guitar driven rock n’ roll for the last three years. With two independent releases behind them, zerobridge released the Havre de Grace EP that illustrates the band’s penchant for classic song writing and a passion to become the only band that matters.
The name zerobridge comes from an actual bridge in Kashmir’s capital, Srinagar, which earned the lesser known epithet of the “the city of seven bridges.” The story goes that when they built an 8th bridge, no one knew what to call the original first bridge. The solution is a case of pragmatics taken to the extreme: they decided to name it zerobridge. The bridge itself is a sentimental place for anyone familiar with Kashmir. Just across the bridge, after passing through military checkpoints and barbed wire fences, is a cafe called the Zero Inn; a place where the bothers, family and friends go when reunited in Kashmir to hang out and have “cold coffees” (which are like frapuchinos, but far better according to the brothers).
Other songs on the EP include the title track, “Havre de Grace,” the name of a town in northern Maryland, close to where the brothers grew up, meaning “Harbor of Grace.” The incendiary political satire of “The Shake” sheds light on the hypocrisies of religious extremism. A reworking of “Suffering Moses,” originally off the bands first LP, is an unabashedly beautiful ode to Kashmir which is followed by the razor edged bravado of “This is My Version,” a live favorite that sounds like a mashup of the Smiths and the ragged snarl of Iggy Pop. Mo passionately adds, “No gimmicks. We put our hearts, souls and sweat into whatever we do. It’s about love, war, and curiosity I suppose. It’s just painfully true, good rock n’ roll.”