the morning after girls set release date for ‘alone’, their highly anticipated debut full length and announce one very special performance at sxsw
saturday march 21st at pangea with perry farrell live, black acid (richard fearless/death in vegas), young love and opium symphony
“an onslaught of blissed-out psychedelic rock and leaden, secret machines and jesus and mary chain-esque reverb.” rcrd lbl
“gorgeous” village voice
if you weren’t lucky enough to witness the morning after girls debut their new material at january’s sold out mercury show or the viper room in los angeles, then now’s your chance to witness the morning after girls decadent live show in austin at their one and only performance at pangea on saturday march 21st at 11pm
409 colorado street
invited by perry farrell, who will also be performing, the morning after girls will unleash songs from the forthcoming debut full length player alone (mixed by alan moulder nin/killers).
alone is set for release in may, preceded by an ep release featuring the single “the general public”
alone
new album mixed by alan moulder coming in may
in an age where the speed of development is thought to bring people together, it seems that most of us may feel a greater sense of isolation than ever before. technology seeks to connect, but it seems any of us feel a lack of the reality which binds us all; meaningful connections.
this is not a new theory by any stretch of the imagination, but, simply, over this past year and a half, the morning after girls have managed to celebrate this very feeling of aloneness by creating an album that is simply an exploration of the very things which makes each one of us truly unique, truly apart from the next, purely, alone.
alone, due out in the spring of 2009 was recorded in various parts of melbourne, australia, and was mixed and produced by martin n.sleeman and sacha lucas, with alan moulder at the helm. as was always planned, martin and sacha relocated to new york city in 2008, and with the inclusion of ej (bass guitar), alex (keys, sounds, percussion), and anthony (percussion drums).
indeed, it is easy to say that life is a constant flow of beginnings and ends, inhaling and exhaling, rising and passing. well, the morning after girls’ voice remains steady and stronger than always, and as you join them on this journey, you will see that there is not a call, nor text, nor an email that you need to attend to. there is simply the true presentation of the bond between your heart, soul and mind.
all binded by the beauty of that which can never be broken – music.
they are here to stay,and are grateful to have you with them.
thank you for joining them.
there is no other way.
thank you.
photo credit: phillip graybill
“imagine taking all the majesty of the j&m chain, the mystery of my bloody valentine, the romance of the church, and the effortlessly subversive cool primal scream, and cranking it up to gorgeously thunderous levels in a trashy little lower east side club. now make it go one louder.” filter mag
“something that harnesses the blood/guts of a traditional rock band facing the monolith of technology with desire and trepidation, taking a wary step in and plunging headlong into a seemingly limitless black hole, is, well…that’s a sound that’s harder to get than might initially appear to be the case,and its valueable when found.” la weekly
“the morning after girls played the viper room on thursday night as if they were hellbent on being the next psych-rock contenders, and they might be. the new york-based quintet fashioned a glowing wall of sound and decorated it with colorful licks and cool harmonies; think primal scream, or a harder-edged verve, or the dandy warhols if they hadn’t drunk their own kool-aid.” kevin bronson, buzzbands
www.myspace.com/themorningaftergirls
to hear an advance of alone and for all print & other inquiries, guest list & interviews contact: siouxz@magnumpr.net / 917.328.1593
all online inquiries contact adam@magnumpr.net
Magnum PR 241 Centre Street 6th Floor Suite 7 New York, NY 10013 Tel: 212.532.4650 http://www.magnumpr.net http://www.myspace.com/magnumprnyc
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– Show quoted text –
the morning after girls set release date for ‘alone’, their highly anticipated debut full length and announce
one very special performance at sxsw
saturday march 21st at pangea with perry farrell live, black acid (richard fearless/death in vegas), young love and opium symphony
“an onslaught of blissed-out psychedelic rock and leaden, secret machines and jesus and mary chain-esque reverb.” rcrd lbl
“gorgeous” village voice
if you weren’t lucky enough to witness the morning after girls debut their new material at january’s sold out mercury show or the viper room in los angeles, then now’s your chance to witness the morning after girls decadent live show in austin at their one and only performance at pangea on saturday march 21st at 11pm
409 colorado street
invited by perry farrell, who will also be performing, the morning after girls will unleash songs from the forthcoming debut full length player alone (mixed by alan moulder nin/killers).
alone is set for release in may, preceded by an ep release featuring the single “the general public”
listen to a preview of the general public here
www.magnumpr.net/media/themorningaftergirls/thegeneralpublic
to hear an advance of alone and for all print & other inquiries, guest list & interviews contact: siouxz@magnumpr.net / 917.328.1593
for all online inquiries contact: adam@magnumpr.net / 347.833.6240
alone
new album mixed by alan moulder coming in may
in an age where the speed of development is thought to bring people together, it seems that most of us may feel a greater sense of isolation than ever before. technology seeks to connect, but it seems any of us feel a lack of the reality which binds us all; meaningful connections.
this is not a new theory by any stretch of the imagination, but, simply, over this past year and a half, the morning after girls have managed to celebrate this very feeling of aloneness by creating an album that is simply an exploration of the very things which makes each one of us truly unique, truly apart from the next, purely, alone.
alone, due out in the spring of 2009 was recorded in various parts of melbourne, australia, and was mixed and produced by martin n.sleeman and sacha lucas, with alan moulder at the helm. as was always planned, martin and sacha relocated to new york city in 2008, and with the inclusion of ej (bass guitar), alex (keys, sounds, percussion), and anthony (percussion drums).
indeed, it is easy to say that life is a constant flow of beginnings and ends, inhaling and exhaling, rising and passing. well, the morning after girls’ voice remains steady and stronger than always, and as you join them on this journey, you will see that there is not a call, nor text, nor an email that you need to attend to. there is simply the true presentation of the bond between your heart, soul and mind.
all binded by the beauty of that which can never be broken – music.
they are here to stay,and are grateful to have you with them.
thank you for joining them.
there is no other way.
thank you.
photo credit: phillip graybill
“imagine taking all the majesty of the j&m chain, the mystery of my bloody valentine, the romance of the church, and the effortlessly subversive cool primal scream, and cranking it up to gorgeously thunderous levels in a trashy little lower east side club. now make it go one louder.” filter mag
“something that harnesses the blood/guts of a traditional rock band facing the monolith of technology with desire and trepidation, taking a wary step in and plunging headlong into a seemingly limitless black hole, is, well…that’s a sound that’s harder to get than might initially appear to be the case,and its valueable when found.” la weekly
“the morning after girls played the viper room on thursday night as if they were hellbent on being the next psych-rock contenders, and they might be. the new york-based quintet fashioned a glowing wall of sound and decorated it with colorful licks and cool harmonies; think primal scream, or a harder-edged verve, or the dandy warhols if they hadn’t drunk their own kool-aid.” kevin bronson, buzzbands