music videos press releases tour dates

L.A. underground favorites HEALTH hits the road this fall. Cold Sweat Records signs on to release LP version of forthcoming album.

L.A. underground favorites HEALTH hits the road this fall. Cold Sweat Records signs on to release LP version of forthcoming album.

The impressive word-of-mouth excitement about L.A. underground quartet HEALTH that has surged throughout that city like a series of rolling blackouts has quickly become an international phenomenon. The band recently ripped a swath across the U.K. — garnering praise from the NME, BBC radio and many more — and this week HEALTH announce tour dates throughout the US beginning on September 25th (see complete dates below.) The band’s live shows are sweaty, packed fits of beautiful noise that could perhaps be best compared to Liars, Animal Collective and latter-period Black Dice.

HEALTH‘s self-titled debut full length on the ultrahip Lovepump United label hits shelves on September 18th. Soon thereafter, L.A. based Cold Sweat Records (Battles, Phantom Family Halo, This Moment in Black History) will issue the vinyl version of the album. As if that weren’t enough HEALTH activity, the band has announced a slew of commissioned remixes to follow hot on the heels of the album. The impressive list of remix collaborators includes Pink Skull (Minneapolis), David Gilmore Girls (Amsterdam), Crystal Castles (Toronto), Curses! (NYC), Toxic Avenger (Paris), CFCF (Montreal), Juiceboxxx (Milwaukee), Narctrax (Tokyo), Lovely Chords (Buenos Aires), et al.

The group’s surging notoriety is also due in part to the magic of the Interwebs. “Crimewave” was the #2 most blogged about song according to Likewise, HEALTH was recently the #5 most blogged about band according to that blog aggregator, and #9 on Anthem Magazine recently shot an amazing live performance of the song “Glitter Pills” at The Smell (where the HEALTH album was recorded) in downtown L.A., which can be seen HERE. Additionally, director Nik Mercer shot a collaboration between HEALTH and Aa (Big A Little a) reworking the band’s “Crimewave” that can be viewed HERE.

Regarding the remix onslaught, the band issued the following statement: “HEALTH likes to make scary noises, we like to chant until our faces go red, we like to beat on drums until there’s blood on the floor. But we also like to boogie, and sometimes we need help from people we admire. There is a great big world full of music and there is no excuse for standing in the corner with your eyes closed. You can always make friends with the other kids in class, even If your favorite band is Slayer and theirs is Bell Biv Devoe, so let’s hold hands.”

Instead of finding a room where the only thing one can hear is their heartbeat, HEALTH recorded its debut full length in one of the band’s favorite places. The Smell is an all ages music venue in downtown Los Angeles. It is open and brick and dirty and dark, but when you sing a church hymnal or hit a drum as hard as you can the sound is beautiful. They did both of these things on the record. They also went out and found equipment built the same time as The Smell, mostly ribbon microphones designed by the BBC for radio broadcasts in the 1930’s, things George Martin liked to use, and other things they didn’t know about. The record is 11 songs in less than thirty minutes – on it there is new music with old sounds.

HEALTH was six months old the first time they played for real people. Before that, there was more talk than music, mostly about art, food, sex, animals, records, drugs, politics and sleeping. After two more shows in Los Angeles, the group self released a 7” and went on tour. While they were traveling, people told them their music was weird. When they got back they played on a bill with Ex-Models and Death Sentence Panda. They felt like grown men. After that, people let them play shows more often, mostly at all ages art spaces like The Smell and Il Corral. They became friends with other L.A bands like No Age, The Mae Shi, Mika Miko, BARR, Captain Ahab, Anavan, and Abe Vigoda. Then they went on three more tours and a trip to SXSW.

HEALTH has also had a hand in 8-bit glitch duo Crystal Castles’ recent success. In addition to a Crystal Castles/HEALTH split 7” (to be released concurrently on Lovepump United with HEALTH‘s LP), Crystal Castles highly anticipated Crimewave EP is named for a HEALTH remix for which the two bands recently shot a video.


* w/ Crime Novels
^ w/ Yip Yip
09/25 Phoenix, AZ The Modified*
09/27 Denver, CO Rhinoceropolis *
09/28 Lincoln, NE Pile of Kevins*
09/29 East Moline, IL Mixtapes*
10/01 Bloomington, IN Uncle Festers*
10/02 Madison, WI King Club*
10/04 Oberlin, OH Oberlin College*
10/06 Montreal, QC Pop Montreal^
10/07 Rochester, NY Bug Jar*^
10/08 Poughkeepsie, NY Vassar College*
10/09 Middletown, CT Wesleyan College*
10/11 Northampton, MA House Party*
10/12 Boston, MA Obrien’s Pub^
10/13 Providence, RI May N Kevin 4 Eva^
10/14 Pompton Lakes, NJ Mainstage Club^
10/16 Purchase, NY Suny Purchase*^
10/17 Annandale-on-Hudson, NY Bard College*
10/18 Philadelphia, PA Danger Danger Gallery*^
10/19 New York, NY Knitting Factory CMJ^
10/21 Baltimore, MD The Depot
10/22 Washington, DC Civilian Arts Project*^
10/23 Charlottesville, VA Bridge Progressive Arts Space*
10/24 Charleston, SC Cumberlands*
10/25 Savannah, GA Jojos Backyard*
10/26 Atlanta, GA Lenny’s Bar*
10/27 Birmingham, AL Bottletree*
10/29 Houston, TX Proletariat*
10/30 Austin, TX Emos*
10/31 Denton, TX Eighth Continent*
11/01 Lubbock, TX Bash Riprocks*
11/03 Los Angeles, CA The Smell*

HEALTH Tracklisting:

Stream The Album HERE

Release Date: Sept. 18, 2007

01. Heaven
02. Girl Attorney
03. Triceratops (MP3) | (CFCF Remix MP3)
04. Crimewave (MP3)
05. Courtship
06. Zoothorns
07. Tabloid Sores
08. //M\\
09. Glitter Pills
10. Perfect Skin (MP3)
11. Lost Time

tour dates

Patrick Wolf announces fall 2007 North American Tour Dates

Beware: the season of the Wolf (Fall tour and Burberry Campaign). London wunderkind arrives in October.

Patrick Wolf announces fall 2007 North American Tour Dates

23 year old Patrick Wolf has commanded the attention of the masses for half his lifetime (by age 14, he was writing, recording and releasing music). From studying at Trinity College, to gracing the pages of international fashion magazines in the 2007 fall Burberry campaign or collaborating with Chicks on Speed and Marianne Faithfull, Patrick Wolf has continued to record music that is widely considered to be original and innovative. Supporting his new release The Magic Position (Low Altitude) Mr. Wolf will be this nation’s saving grace starting Sept. 30th in Philadelphia and will wrap on Oct. 16 in LA (Dates Below).

Now that he’s 23, his pop romps seem like children’s dreams-all colors, twinkles, and buzzes, though there’s hardly anything he can’t twist into polymorphous eroticism- SPIN

“The Magic Position”-“A bed of electronic blips and bleeps percolates beneath an exuberant string arrangement and a great ’50s-derived sax part. It’s all topped off by Wolf’s winning melody, sung in a voice that calls to mind a campier Bryan Ferry. It’s a fun listen from a promising young talent.”-SALON.COM (song of the day)

“Šon three excellent, eclectic albums-veering from glammy pop to gloomy folk-the London singer-songwriter has found an outlet for his tales of life as an outcast.”-ROLLING STONE

Already strides better than its solid precursors, The Magic Position leaves Wolf in a prime spot for whatever position he’d like to assume next. PLAYBOY.COM

09-30 Philadelphia, PA – Fillmore
10-01 Washington, DC – Black Cat
10-03 New York, NY – Webster Hall
10-04 Boston, MA – Paradise
10-05 Montreal, Quebec – Cabaret du Musée Juste Pour Rire
10-06 Toronto, Ontario – Lee’s Palace
10-08 Detroit, MI – Saint Andrew’s Hall
10-09 Chicago, IL – Metro
10-11 Portland, OR – Wonder Ballroom
10-12 Vancouver, British Columbia – The Plaza
10-13 Seattle, WA – Neumos
10-15 San Francisco, CA – Mezzanine
10-16 Los Angeles, CA – El Rey

tour dates

The Coathangers prepares for a magical record release party and fall tour, gets featured in Burn To Shine DVD Series.

The Coathangers prepares for a magical record release party and fall tour, gets featured in Burn To Shine DVD Series.

The Coathangers’ music floats somewhere between the highlights of Bikini Kill, Pylon and Talking Heads, while the band members maintain a keen sarcasm and a certain oneness about their own musical abilities.” –Southeast Performer

The Coathangers has quickly become Atlanta’s most talked about new band. The Dirty South’s premier ladies grace the cover of this month’s Southeast Performer, are currently featured in Atlanta’s monthly music magazine Stomp and Stammer, and have become a favorite of weekly alternative Creative Loafing. The excitement surrounding the girls has spread nationally, as well.

The Coathangers recently returned home from a quick jaunt up the east coast with another group of rowdy Atlanta hometown heroes, The Black Lips which recently released a 7-inch by The Coathangers on its own Die Slaughterhaus label. Atlanta’s Rob’s House Records will release the debut self-titled album by The Coathangers this week. The record is also the first full-length release for the label following the release of singles by Deerhunter, Shock Cinema, Black Lips and others.

The Coathangers will celebrate the release of the album with an in-store at Atlanta’s beloved Criminal Records on September 4th. Reportedly the show will also feature real live mini-unicorns (or at least mini ponies with attached horns!) The band will then begin a string of US dates (see below for the full itinerary.)

In other Coathangers news, the band was recently featured on the Atlanta edition of the Burn To Shine series of documentaries helmed by Brendan Canty of Fugazi. As reported recently by Pitchfork Media (LINK), this unique DVD series collects footage of a city’s bands performing in a space slated for demolition. In this one, Mastodon, Deerhunter, The Black Lips, Shannon Wright, Snowden, The Selmanaires, and The Coathangers are among the Atlanta bands that tear through one song a piece — just before bulldozers tear through their makeshift performance venue.

More about The Coathangers:

Since July of 2006 Julia Kugel (guitar/vocals), Stephanie Luke (drums/vocals), Candice Jones (keyboard/vocals) and Meredith Franco (bass/vocals) have hammered out a bat cave crunk-punk dirge that explodes with energy and creativity. Don’t be fooled by playful early song titles, like “Nestle In My Boobies” and “Don’t Touch My Shit.” These women are real deal feminists, armed with a brash and irreverent sense of humor. They’re more likely to be caught cracking jokes with Andrew W.K. than sharing tea and vegan cookies with Kathleen Hannah’s crew. Simply put, The Coathangers get the party started. They say what they want to say, do what they want to do, and they write songs because they want to have fun.

Imagine if you will a marriage of The Beastie Boys circa Some Old Bullshit and The Slits when they were still a punk band and you’re in the right ballpark. The group’s manic pep rally chants in “Wreckless Boy” morph into the sneering caterwauls of “Tonya Harding” over simple and powerful rhythmic plods. “Bloody Shirt” transcends the power of three-chord tension with the sounds of ratchets and a sparkling piano slurring to the tune of heartbreak and revelation. And an accordion has never channeled so much punk melancholy as it does in “The Missing Letter.” Jones found the toy accordion in a Texas gas station for ten dollars, and the song is a very personal one about Kugel’s grandmother, sung half in Russian and half in English. She tells Stomp and Stammer, “When I wrote the lyrics, I didn’t want them to sound like a seven-year-old wrote them. I only got the education of a seven-year-old in Russia, so I didn’t want them to sound trite. But this Russian friend of a friend was like, ‘Oh, the lyrics are really good!’ So that made me feel proud.”

The Coathangers Live:

*w/ Demon’s Claws

09/04 Atlanta, GA Criminal Records (Record Release In-Store)

09/07 Atlanta, GA Star Bar (Record Release Party)

09/12 Athens, GA 40 Watt Club

09/13 Atlanta, GA Drunken Unicorn

09/14 New Orleans, LA Circle Bar

09/20 Atlanta, GA Atlantis Music Conference

10/10 Clemson, SC WSBF

10/15 Atlanta, GA Lenny’s

10/19 Brooklyn, NY SoundFix (Fanatic CMJ Day Party)

10/24 Atlanta, GA Drunken Unicorn

10/25 Athens, GA Caledonia Lounge

10/26 Chapell Hill, NC The Cave

10/27 Washington DC Fight Club

10/28 Philadelphia, PA The Kyber

10/29 Danbury, CT Cousin Larry’s

10/30 Boston, MA PAs Lounge*

10/31 New York, NY Mercury Lounge

11/01 New York, NY Death By Audio*

11/03 Cleveland, OH Now That’s Class*

11/04 Detroit, MI Lager House*

11/05 Milwaukee, WI Cactus Club*

11/06 Chicago, IL Ronny’s*

11/07 Lafayette, IN Zooleger’s*

11/08 Nashville, TN The Basement*

11/09 Memphis, TN Murphy’s*

11/10 New Orleans, LA Saturn Bar*

11/11 Mobile, AL Blind Mule*

11/12 Orlando, FL Peacock Room*

11/14 Atlanta, GA Drunken Unicorn*

The Coathangers Tracklisting:

Stream The Album HERE

01. “Why This Record” Intro
02. Tonya Harding
03. Wreckless Boy
04. Haterade
05. “A Real Honey”
06. Shut The Fuck Up (MP3)
07. Parking Lot (MP3)
08. Buckhead Betty
09. Don’t Touch My Shit! (MP3)
10. “Roll Dem Dice”
11. Parchezzi
12. Where The Hell Were You?
13. “Fatty Pad”
14. Nestle In My Boobies
15. Bloody Shirt
16. The Missing Letter
17. “Larger Success” Outro

tour dates

The Phantom Family Halo launches yet another tour — this time with psych-minded group Acid Mothers Guru Guru.

The Phantom Family Halo launches yet another tour — this time with psych-minded group Acid Mothers Guru Guru.

PFHalo boasts members of The For Carnation, Slint and Dead Child, debut album The Legend of Black Six available now.

Louisville, KY haze-rock troupe The Phantom Family Halo launches yet another tour this week — hot on the heels of summer treks with Slint, Dead Meadow, et al. This time out, the band boasting members of The For Carnation, Slint and Dead Child hits the road with psych-minded brain-melters Acid Mothers Guru Guru (a variant of the Acid Mothers Temple.) The (ahem) trip, which started August 31st on the east coast, will ultimately take both bands from sea to shining sea… See complete dates below.

The Phantom Family Halo may be most immediately notable for its pedigree — members of indie rock royalty The For Carnation, Slint, Dead Child, et al. But, it’s the band’s sound that becomes the most remarkable upon first listen: Think Syd Barrett and Scott Walker jamming with Hawkwind or the 13th Floor Elevators in the height of the Krautrock frenzy, or the Birthday Party subdued to play a rendition of “The Lamb Lies Down On Broadway.” Others have described the quintet as a unique crossbreed of Alice Cooper, Black Sabbath, Tangerine Dream and Marc Bolan, or Scott Walker fronting Roxy Music.

The Phantom Family Halo is the product of millions and millions of hours in front of speakers, communicating off of the wave forms of 60s & 70s rock n roll music. Core members Michael McMahan (The For Carnation / Dead Child / Slint [reunion]) and Dominic Cipolla (Hookers / Sapat / Dead Child) have been jamming together for over 13 years and have no fear of angelic apparitions while walking past the skeletons of rock’s multi-dimensional idiom. In fact, it’s embraced and cherished.

The Phantom Family Halo’s debut long player The Legend of Black Six on Cold Sweat Records launches listeners on a journey into other worlds and dimensions of time. The album harkens back to the trailblazers of experimental rock music, while fitting nicely within the nest of neo-psyche brethren Dead Meadow, Entrance, Six Organs Of Admittance or Bright Black Morning Light. The Phantom Family Halo are the missing link to the past and future, rooted deeply in the present.

Slip inside their house — it’s recommended for good health and more hours in front of speakers.

The Phantom Family Halo Live:

9/04 Chicago, IL Empty Bottle
9/05 Minneapolis, MN Triple Rock
9/08 Seattle, WA Chop Suey
9/09 Portland, OR Doug Fir Lounge
9/10 San Francisco, CA Bottom of the Hill
9/11 Los Angeles, CA Troubadour
9/12 San Diego, CA Casbah

The Legend of Black Six Tracklisting:

Stream The Album HERE

01. Black River (MP3)
02. Slender Head
03. Lady Blue (MP3)
04. In The Back of My Head
05. Broken By The Way
06. Electric God In Your Galaxy
07. Stop The Biting
08. The Legend of Black Six (In 3 Parts)

reviews tour dates

Old Time Relijun receives early praise from rock-crit legends for forthcoming album Catharsis In Crisis. Band launches seemingly endless tour in support.

Old Time Relijun receives early praise from rock-crit legends for forthcoming album Catharsis In Crisis. Band launches seemingly endless tour in support.

“Unless I read them wrong (and I may; the music itself is the opposite of describing it: it’s wet, and bloody, and it smells like fresh earth and red cinders, and it’s a good goddamn time, is what it is) Old Time Relijun’s theory is that ‘the underground’ (I know. I know. I know.) isn’t an identity that reinvents itself once or twice per generation, but a permanent place within a culture – maybe within all cultures – where styles don’t go in and out of fashion but are always floating around in the air just above our heads.” — John Darnielle, Last Plane To Jakarta

“The music kicks ass: brutal, fluid, funky, spasmodic, violent, sexual…I wish there were more visionaries like Dionyso around.” — Everett True, Village Voice

The Pacific Northwest’s beloved, esoteric uprooters of rock’s antecedents, Old Time Relijun has already received an impressive outpouring of premature critical praise months in advance of its K Records meisterwerk Catharsis In Crisis. Legendary music scribe Everett True — he who put Sub Pop and myriad others on the map with his writing in NME and Melody Maker, as well as current author and Plan B editor — rated Catharsis In Crisis #1 in his “Top 5 Antifolk Songs” column in the Village Voice. A couple of weeks later, True followed that article with a column raving yet again about Old Time Relijun. Read the entire colorful passage HERE.

Likewise, esteemed critic and musician John Darnielle (singer/songwriter of The Mountain Goats and Last Plane to Jakarta editor, et al.) writes one of the most eloquent and flowing prose pieces about the latest Old Time Relijun disc in his latest zine. The review (clumsily quoted above) must be read in its entirety to be fully appreciated. Read it HERE.

Part of the reason for this early excitement about the album is due to the band’s return to the road, beginning with a Western states jaunt running from August 24th to September 8th, followed by a full U.S. tour beginning September 29th. Dates are still being confirmed for the fall, but all current confirmations can be found below.

Old Time Relijun continues to further shatter rock’s imperious formalism with its forthcoming latest K Records release, due October 9th, 2007. Song after song, the ferocity of vocalist/guitarist Arrington De Dionyso draws listeners deeper into a world where language, rhythm and unrepentant libido collide. The music is temperamental, unwieldy and unyielding; aimed to cut listeners to the bone.

Catharsis In Crisis was written and recorded at Calvin Johnson’s fabled Dub Narcotic Studio in Olympia, WA over four inspired days and nights. Legendary producer Steve Fisk was recruited to mix this raw material into Old Time Relijun’s most fully realized album to date. Old Time Relijun + Calvin Johnson + Steve Fisk = a magical alchemy of sound and light. But don’t worry folks, it’s still terrible background music.

Arrington de Dionyso’s electrifying vocal delivery retains the blood-soaked risk of a true underground visionary, while showcasing his mastery of over-the-top nuance. Aaron Hartman (contrabass) and Germaine Baca (drums) propel the album forward with relentless bump-and-grind. Catharsis In Crisis is the first album to reveal Old Time Relijun’s new secret weapon, subversive “saxophonista” Benjamin Hartman, who uses and abuses his classical training to drive the band further into the spheres.

Often lazily compared to a No Wave version of Captain Beefheart, Old Time Relijun’s subversive — dare we call it sadistic — mashing of world folk music styles sounds brutally fresh. No Wave? Forget that. Catharsis In Crisis is Yes Wave for the young millennium. “Daemon Meeting” (MP3) blazes through a bizarre convocation of underworld creatures, to conclude with the query, “what does it mean to be human?” A tenor saxophone throttles the dub-infected “Liberation” with propulsive urgency through a zone of “young life and decay,” while songs such as “In the Crown of Lost Light” and “Invisible New” confront infinity with their bright shimmering sound. Even Dante is given a run for his money with the Ennio Morricone influenced junk-disco centerpiece “Veleno Mortale,” actually an Italian “re-translation” of the brutal “Burial Mound” featured on Old Time Relijun’s album 2012.

Taken as a whole, the three discs of “The Lost Light Trilogy“ (in reverse chronological order Catharsis In Crisis, 2012 and Lost Light) are a tour-de-force of myth, dream and autobiography. ”We wanted ‘The Lost Light Trilogy’ to be a kind of rock opera,” de Dionyso says. “But with a non-linear development of plots and characters. Every song on each album contains musical or lyrical fragments of other songs within the trilogy, like broken shards of mirrors reflecting each other infinitely, the way a cubist painting presents multiple perspectives of the same subject, or the labyrinthine twists in a Borges story.”

Catharsis In Crisis, while concluding the trilogy, also stands on its own. Like the confrontational, compulsively danceable live show for which Old Time Relijun is known and loved, Catharsis In Crisis is a record and a testament to the oscillations of opposites. Darkness and Light, Water and Fire, Spirit and Matter struggle within Old Time Relijun’s alchemical oeuvre. From this elemental battle, the music emerges, dripping and triumphant.

More about Old Time Relijun:

Olympia, Washington. New Year’s Day, 1995. A dark and smelly basement. Three young musicians gather to tackle the vast songbook of Arrington de Dionyso. They had heard his self-recorded cassettes. The songs were wild and lovely. de Dionyso (the rebellious son of Methodist ministers) played every instrument with the soul of an outsider artist who didn’t know any better. He knew he needed to bring his songs to life.

The original trio was brought together for one show. Just to see what would happen. They called themselves Old Time Relijun. Arrington played a $20 guitar and a beat up bass clarinet. He sang with a mixture of piss and vinegar that exploded with naive charisma. Bryce Panic harassed the drums. Aaron Hartman beat on a two-string upright bass with a microphone taped to its bridge. They communicated with the clairvoyance of long-married ninjas.

That first show, everything went red: strings broke, the bass was a solid mass of feedback, the PA was blown. They used de Dionyso’s songs as a template to meld shock-ritual with a mad-tea-party-dance-vibe. They barely noticed the college kids in full Riot Grrrl gear screaming, they had no idea that punkers and hippies were dancing together. Something awful happened that night. A band was born.

Soon they were playing full sets to friends and taste-making Olympia hipsters alike. They played every show they could – whether or not they were on the bill. They developed the kind of intuitive free-jazz rapport of which most bands could only dream.

In 1996, Old Time Relijun recorded their first album, Songbook Volume One. They released it themselves, financing the production by tricking a friend out of his meager inheritance. The CD was packaged in stolen popcorn bags.

In 1997, Calvin Johnson invited the band to record a song for the “Selector Dub Narcotic” compilation for his K Records label. At that point, a beautiful relationship was born.

After Panic left to pursue a life of dance and yoga in India, one of the band’s younger fans, Phil Elvrum, asked if he could join. He moved to Olympia, and Old Time Relijun’s second of many lives began. Elvrum’s caveman beats and undeniable production savvy helped launch the first three Old Time Relijun albums K would release. Uterus and Fire (1999), was a bombastic exercise in recording in the red. Serena de Pecera (2000) was a one-night multilingual wonder, acting as a coda to the unyielding momentum of Uterus and Fire. Then came the band’s first true masterwork, Witchcraft Rebellion (2001), an album as deep and bizarre as anything you’ll find on your record shelf. A retelling of the first chapters of Genesis from the serpent’s point of view.

After a couple U.S. and European tours, Elvrum’s decided to focus his energy on his recording projects and his own band, The Microphones. Old Time Relijun continued in a variety of mutated formations, with various lost souls sitting behind the drum set.

The group experienced a brief lull in activity as de Dionyso began a vagabond period that would take him hitch-hiking across the United States and back and forth between Italy, France and Argentina. A compilation of unreleased oddities, Varieties of Religious Experience, was released in 2003, and both de Dionyso and Hartman had time to reevaluate the direction their band would take.

During his travels, de Dionyso composed an outline for what would become “The Lost Light Trilogy”. The first two installments, Lost Light (2003) and 2012 (2005), recorded with the help of drummers Rives Elliot and Jamie Peterson, respectively, saw extensive touring, a wider audience for the band, as well as high praise from critics world wide.

Old Time Relijun Live:

w/ AIDS Wolf

08/24 Eugene, OR John Henry’s

08/25 San Francisco, CA The Knockout

08/26 Santa Cruz, CA Blue Lagoon

08/28 San Diego, CA Casbah

08/29 Upland, CA Baldy Brewery

08/30 Los Angeles, CA The Echo

08/31 Los Angeles, CA The Smell

09/01 Oakland, CA 21 Grand

09/04 Davis, CA Delta of Venus

09/06 Eureka, CA Accident Gallery

09/07 Portland, OR Satyricon

09/08 Seattle, WA Atlas Clothing

09/29 Missoula, MT Badlander

09/30 Bozeman, MT The Filling Station

10/02 St. Paul, MN V’s Club

10/03 Iowa City, IA Picador

10/04 Chicago, IL Ronny’s

10/05 Bloomington, IN Bear’s Place

10/07 Columbus, OH Bourbon St.

10/09 Oberlin, OH The Sco

10/10 Pittsburgh, PA Garfield Artworks

10/11 Middleton, CT Wesleyan

10/13 Brooklyn, NY Southpaw (WFMU event w/ Oneida)

10/14 Montreal, QC Divan Orange*

10/15 Quebec City, QC Bal du Lezard*

10/16 Halifax, NS The Seahorse*

10/17 Sackville, NB Mount Allison*

10/19 Brooklyn, NY Soundfix Records (Fanatic CMJ Party)

10/19 New York, NY Knitting Factory (Panache CMJ Showcase)*

10/21 Annandale on Hudson, NY Bard College*

10/24 Hartford, CT Charter Oak Center*

10/25 Poughkeepsie, NY Vassar College*

10/26 Jamaica Plane, MA The Milky Way*

10/27 Providence, RI as220*

10/28 Philadelphia, PA COPY Gallery

10/30 Washington, DC Velvet Lounge*

10/31 New York, NY TBA*

11/01 Hoboken, NJ WFMU Live Performance

11/02 Chapel Hill, NC Local 506

11/03 Charleston, SC Cumberlands

11/04 Athens, GA Secret Squirrel

11/06 Birmingham, AL Bottletree w/ Don Caballero

11/07 New Orleans, LA Circle Bar

11/08 Houston, TX Proletariat

11/09 Austin, TX Emo’s

11/11 Oklahoma City, OK Conservatory

Catharsis In Crisis Tracklisting:

Release Date: October 9th, 2007

01. Indestructible Life!
02. The Tightest Cage
03. Daemon Meeting (MP3)
04. Liberation
05. Garden of Pomegranates
06. Akavishim
07. Dark Matter
08. The Circular Ruins
09. Veleno Mortale
10. Dig Down Deeper
11. A Wild Harvest
12. The Second Day of Creation
13. In The Crown of Lost Light
14. The Invisible New

press releases tour dates

Boston post-punk quartet Junius to release EP collection in October, cut new studio album with producer Kevin Mills

Boston post-punk quartet Junius to release EP collection in October, cut new studio album with producer Kevin Mills. Current tour dates across the U.S. and Canada.

“The most engaging dark rock to come out since Joy Division last graced a stage.” – Disclosure Magazine

“Genius as far as contemporary new wave/cinematic art-rock goes… An epic audio masterpiece.” – The Big Takeover

Boston post-punk / post-rock (let’s call it post-wave) quartet Junius has slowly built up a strong following over the course of a pair of EPs and some very impressive live shows. Soon, the band’s epic, dark sound will spread even further with the October release of a self-titled disc compiling the two previous records on Radar / S.A.F. Records. Junius is currently touring across the U.S. and Canada en route to record its debut full length in September at Henson Recording with Tom Syrowski and Kevin Mills (AFI, Weezer, The Bravery) under the working title The Martyrdom of A Catastrophist. See complete tour dates below.

Boston has long been known as a breeding ground for renowned political dissidents as well as mind-expanding sonic adventurists. A legacy of great progressive labels (like Hydra Head, Tortuga and Big Wheel Recreation) and a harbor full of Earl Grey attest to that. Carrying in that tradition is Junius – at once an enigmatic letter-writing historical footnote (and political critic from the 1700’s) as well as a rainy, Brit-inflected supernova of gigantic guitars, entrancing lights and erudite lyrics founded by drummer Dana Filloon, singer/guitarist Joseph E. Martinez and guitarist Mike Repasch-Nieves.

The New England coast was first illuminated by Junius on Friday, February 13, 2004 at a sold out show at The Middle East in Cambridge, MA. Drawing upon influences as diverse as Failure, Hum, Sunny Day Real Estate and The Cure, Junius electrified the rapt audience with the spellbinding walls of dreamy guitars and alluring lights that have continued to define the band’s signature aesthetic. Together with fellow Bostonians Seneca and Constants, they formed the core of the Radar Recordings collective-a community of self-funded progressive artists founded in 2002 — which filled a void left behind when the aforementioned labels uprooted and expanded to warmer climes.

Shortly after releasing their first EP, the post-wave pioneers began a relentless touring regimen of multiple headlining and co-headlining North American tours to fan the flames of an already relatively blazing press. Of the EP, Disclosure Magazine wrote, “One of the most engaging dark rock albums to come out since Joy Division last graced a stage.” Junius played over 200 shows in 2005 alone, and spent nearly 9 months on the road that year.

The songs which make up Junius’s self-titled album (Radar / S.A.F. Records) were recorded by Will Benoit (of Constants), and mastered by Nick Zampiello (Isis, Converge, Pelican, Cave In.) Hailed as “genius” by The Big Takeover, Junius’ work is borne of experiments in isolation and ascetism, including month-long stints in remote places including a storage facility in Texas, a farmhouse in Vermont, a cabin in Pennsylvania and a small room in the swamps of Louisiana. It’s this austere approach that adds a weighty foundation of authenticity to the members of Junius as credible artists. Themes of forbidden knowledge, supernatural and extra-terrestrial phenomena, and religious mythology permeate singer Joseph E. Martinez’s esoteric lyrics, while the group’s music pushes sonic boundaries.

In addition to the release of the eponymous compilation, 2007 finds Junius as tireless as ever, with a new 7-inch (Radar / Anchorless Records), further touring and plans to begin recording their next album, entitled The Martyrdom of A Catastrophist this Fall. The forthcoming record is based on the life of controversial scholar Immanuel Velikovsky. Martinez, along with illustrator Matt Gauck, will also be releasing an accompanying graphic novel for the record. Junius’ brutal itinerary extends well into 2008, with plans to hit Europe, Japan, as well as more North American dates to solidify their already solid fan base. Appearances on MTV’s On the Rise and scores of “Most Anticipated Album” nominations have all but catapulted Junius to the forefront of the world’s sight line. With this self-titled release, as well as the impending album, the specter of the Junius enigma will loom heavier in the public’s mind than ever before.

Junius Live:

07/24 Burlington, VT 242 Main
07/25 Montreal, QC Zoobizarre
07/27 Toronto, CA Siesta Nouveaux
07/28 Lansing, MI Mac’s Bar
07/31 Denver, CO 2126
08/01 Salt Lake City, UT Liquid Joe’s
08/04 Spokane, WA Prago
08/10 Turlock, CA Mr. Slice Pizza
08/11 Santa Cruz, CA Cafe Pergolesi

Junius Tracklisting:

Stream The Album HERE

01. [Elan Vital]
02. Hiding Knives
03. From The Isle of The Blessed
04. [Elan Fatale]
05. Forcing Out The Silence
06. [The Annunciation]
07. Blood Is Bright
08. A Word Could Kill Her
09. In The Hearts of Titans
10. At The Age of Decay

tour dates

Bits And Pieces

People, I work hard. Seriously. And I do it all for you. Hey now stop laughing, I really mean it. I spend hours everyday scouring chat-rooms, forums, Myspace pages and porn sites (wait scratch that last one) in an effort to bring you the stories others can’t.
Well as you all (should) know, Social D. went and released a greatest hits album. While I may frown on this practice, I do understand and will not hold it against Mr. Ness and company. As is required for any greatest hits collection, they capped it off with a new song, and a rather good one at that. “Far Behind”, the bands current single aggressively goes after those treacherous and two faced back-stabbers we all deal with in life. With Social D. celebrating the big 3-0 next year I’d imagine they’ve seen more than their share of coat-tail riders and hangers on, something tells’ me this song was a long time coming. On the same note, Mike Ness recently took the time to sit down with the folks over at Billboard, among other subjects tossed around was the impending follow-up to 2004’s Sex, Love and Rock ‘N’ Roll. Don’t be surprised if the content spans all three decades.
While we’re waxing old school, Suicidal Tendencies is on tour! Kinda. The Kings of Cali Thrash are hitting the road in early August. First playing the Sounds Of The Underground Tour, and then steaming to Japan, just in time to headline a few dates on the Summer Sonic Festival. Anyone else thinking these might be warm-up dates?
Summer Sonic Festival – 2007
August 11th Osaka, Japan
August 12th Tokyo, Japan
For more information check out –
Stateside the band is headlining three shows.
Sounds Of The Underground Tour 2007
August 3rd San Jose, California
August 4th Irvine, California
August 5th Mesa, Arizona
Check out for the complete lineup.
Also on tour this summer, a band even Jesus loves’ (according to the their website) The Smut Peddlers! This Huntington Beach based quintet may just be the most politically incorrect band on earth. Totally tasteless, proverbially polluted and playing an all ages show near you. With lyrical content along the lines of an N.A. meeting, these partying punx aren’t for the faint of heart. These guys (and one girl) are pure punk rock. They tour in a Ford van, play dive bars all over California, and once accused me of driving a Volvo to a Pennywise concert. For the record, it was a Subaru and it belonged to my woman. If you’re lucky enough to catch one of the shows, be on the lookout for new tracks from the soon to be released (August 27th) disc featuring digitally remastered content from their first two demo’s originally released in 1993 and 1994 (previously available only on cassette). The Shows are as follows:
August 10th Studio 99, Bakersfield, California – all ages
August 11th The Distillery, Sacto, California – over 21
August 25th The Alley, Fullerton, California – CD Release Party – all ages
Check out for a cool picture of Jesus and oh so much more.
Now playing…Fletcher Says. Hard hitting Pennywise strummer Fletcher Dragge has taken the gloves off and is giving hollywood big-wigs the pounding they deserve. B-listers beware lest you find yourselves in the ring with the big man at Yeah you heard it right, home to Fletcher Says, Dragges’ own outlet to bask or bash the powers that be in Hollywood. Well written, and so far batting a thousand. Accoding to the newest (and only post) the The Fantastic Four were anything but. Way to go big guy.
While we’re singing the praises of the silver screen, we might as well mention my must see movie of the summer; Punks Not Dead The Movie. Now playing on a limited basis across the states, the rockumentary was produced by Susan Dynner an aging punk rocker by her own admission. Prior to launching into this “five year labor of love,” Dynner was VP of Creative Affairs at Ventura Films (owned by Charlie Sheen and Nick Cassavettes) co-produced Brick, a 2005 Sundance Film Festival award winner and at one point functioned as the VP of Development at Prairiefire Films.
Production and Direction credits also go to Todd Traina, founder of Red Rover Films and Producer of 2006’s “What We Do Is Secret” which centered on punk – icon Darby Crash and his band The Germs. Tim Armstrong (Op. Ivy/Rancid) is credited as well, garnering the title of Co-Producer. You go Tim.
It should be interesting, comparing Punks Not Dead with 2006’s “American Hardcore” which was a Sundance and Toronto Film Festival selection as well. Strangely enough, both movies focus on many of the same bands, though “Not Dead” continues past 1986 which is where “Hardcore” left us. In perusing the “cast” I’ve noted the obligatory Henry Rollins/ Jello Biafra credits. Great. We all know these two were instrumental parts of the scene back then, but come on they are both so tired it’s not funny. Rollins is nothing more than a sheep in wolves clothing, jumping on any VH1 special he can get his little hands on and Jello is an absurd self – serving egomaniac. Christ most of his contemporaries can’t even stand him. Ranting aside, I’ve got high hopes, the film was done in true old-school DIY fashion, the bands (Rancid, UK Subs, Sub Humans, NOFX, The Damned and many others) were not compensated, Dynner in fact actually had to hold down a day job to help finance production (which took five years). You can sink your teeth into all the juicy details at Can’t wait to hear what Fletcher Says.

music videos reviews tour dates

Bits And Pieces

Need good information? Hit up the rumor mill…it may not be accurate, factual or otherwise credible, but it’s always entertaining.
Rumor has it, that NOFX (Fat Wreck Chords) is putting together a new live album (their second), slated for an early 2008 release. It should tide over fans who haven’t seen anything new since 2006’s “Wolves In Wolves Clothing.” The new album should be content heavy considering the band has been globe trotting as of late, playing far away venues in mystical lands(Japan, South Korea,China, South Africa). It will be NOFX’s second live release, the first, 1995’s “I Heard They Suck Live” was well received. Rejoice.
“Rise To Your Knees” the latest offering from proverbial psychedelic-punk rockers The Meat Puppets provides listeners (and bandmates) an unexpected twist. The brothers Kirkwood together again. Following a hiatus of little more than a decade, brother Cris (on bass) has rejoined the line-up alongside brother Curt (on guitar) in creating the legendary bands newest release. Once refered to by his brother (Cris) as a “suicide in progress” Curt has seemingly overcome his struggles which have included a stint in jail, drug abuse, and best of all a gun-shot wound. Oh the irony.
Gearing up for the start of their North American tour; Strung Out (whom I’m still undecided on). The band will return from Europe and kick things off August 31st in California. They’ll follow up with a second leg (primarily East Coast and Mid West dates)starting in September. While supporting their latest effort “Blackhawks Over Los Angeles” the boys will tour with Evergreen Terrace and I amGhost.
Fuse T.V. aka (MTV 3, the network you love to hate) has been doing some cool things as of late. Warped Wdenesdays’…your weekly Vans Warped Tour wrap-up is fun a couple hours of relatively good music. I love the idea, but would like to see better excecution. Also on the air “Crusty’s Dirt Demons” the first reality show worth watching. Heavy Metal, motorcycles, and mayhem! How much do I have to shell out for tickets to that party? For those of you not in the loop, The Crusty Demons is a group of tight -knit riding buddies (FMX/Motocross) who pioneered the FMX video scene in the mid-nineties. The group includes O.G.’s the likes of “Mad” Mike Jones, Larry “Link” Linkogle, Seth Enslow, Mike Metzger, the loveable redneck Bubba, and of course multi-media magnate Dana Nicholson. Contestants are brawling for a spot on Team Crusty and the chance to take their career to new heights. Hey I ride, and I have more tattoos than resident loudmouth Sean Highland…I want in. Additionally check out for a cool contest link to Fuse TV (it’s also a great site), where you can win your very own Nintendo Wii. Sweet.
And although the news is over a week old, people love to wax intelluctual regarding the Horrorpops recent line-up changes. Get over it! In Geoff Kresge’s case it was inevitable. Viva Hate was his dream. It was half the reason he left Tger Army in the first place. Good for him, even the band supported his move. But in regards to Naomi and Kamilla Vanilla, are you f@#*ing kidding me? People these are dancers, last time I checked NOT an important ingredient. Besides threesomes rule. On the subject, what is with Psycho-Billy? Great style of music, so why should the fans ruin it, old dudes with six inch Vanilla Ice pompadors died black, busty Bettie Page wannabe wives. Scenesters. It’s not f-ing Halloween!
And last but not least Rants and Raves!
Rave: The Aggrolites newest self titled release. Only lately has the groups music become “main stream” music store accessible (doesn’t hurt to be Tim Armstrong’s backing band). Think true, dark, dance hall reggae with a pinch of Cali attitude thrown in for good measure. Full length review coming soon.
Rave: Rock of Love With Brett Michaels’ the offering from the folks over at VH1. Let me just clarify, I hate Poison, always have, always will. The only things real about that band were their sexual escapades and drug problems. Musically they were never innovators, or particularly talented but they were pretty. And at the time, American women 15 – 30 years of age liked their men pretty, the possibilities were endless; hairspray for two, huge makeup collections, and double dates with the hair dresser. Huh now that I think of it, kinda like todays Emo generation. Distaste aside, I love Brett Michaels, he’s rude, arrogant, and honest. Besides he’s been placed in a room full of chemically polluted, silicone enhanced toys (strippers and porn stars) and given carte blanch. Keep an eye on Tiffany, possible split personality/substance abuse problems…She should make for some quality entertainment.
Rant: New School big-label A&R guys who think every band with a pop-punk sound should dress in black and wear eyeliner a la Davey Havok (sell out extraordinaire). What the f#@%? You take great bands and ruin them. Go back to booking Maroon 5.
Rant: “Honest Goodbye” the new Bad Religion single. First I question the bands judgement. Then I see it performed live a few weeks ago, it grows on me, and I begin to dig it for what it is. Then my son loops it 9,000 times for 4 straight days, and every “alt-rock” radio station in the good ole U.S. of A. blasts’ it every hour on the hour. Alas I don’t blame them, I blame the band. Why did you release that song as a single? Brett you’ve got Epitaph and Hellcat, Greg you’ve got your P.H.D., what gives? You really need more dough? Try touring more (not on the Warped Tour) write books, shine shoes, anything just please N0 MORE SHITTY SINGLES!
And finally…Serius Punk 29, satelite radios’ “edgy” channel. You started so strong. Original playlists’, cool hosts’ we’d been waiting for a channel like you. Now just repetative and boring. While getting tattooed yesterday (July 18) I heard the same Bad Religion tune 4 times in 4 hours. Ok the song is classic, but 4 times in 4 hours? On the same page, does Jello Biafra (egomaniac du-jour) own a large stake in Sirius? Jello and The Melvins, the D.K.’s, his spoken word garbage, it goes on and on and on and on. Enough already. With a catalog as thick as W’s record of wrong doing, originality should be the focal point. Hey Sirius, I’m available.

press releases tour dates

Made Out Of Babies press release

Made Out of Babies announces summer tour, band led by the singer Decibel calls “Metal’s Most Riveting Frontwoman” and Revolver picks among the “Hottest Chicks in Metal” brings intense, volatile live show to the masses.

Made Out of Babies — the New York City quartet that looks like renegade fashion models and sounds like a ferocious hybrid of PJ Harvey, Jesus Lizard, Babes In Toyland and Big Black — has announced tour dates throughout the east coast and midwest in July. See complete tour dates below.

The band’s sophomore Neurot Recordings album, Coward (E-CARD) received an 8 out of 10 rating from Decibel Magazine and ranked in that publication’s Top 40 Best Albums of 2006. Likewise, Revolver Magazine currently features vocalist Julie Christmas in its “Hottest Chicks in Metal” issue. And, despite the group’s menacing sound and intimidating glamour, much of the mainstream music media has embraced MOoB’s dark portents.

“Metal’s Most Riveting Frontwoman” might be the type of accolades awarded in a construction industry trade magazine, but we double-checked and such high praise for Made Out of Babies and Battle of Mice wailer Julie Christmas is indeed that of the esteemed rock monthly Decibel Magazine (which also awarded the Battle of Mice debut a perfect 10 out of 10!) Likewise, several other publications have sung the praises of Coward since its release in October, 2006.

Made Out of Babies first captured the attention of the underground punk/metal scene with its Neurot Recordings debut Trophy in 2005. On stage, caterwauling front-woman Julie Christmas paces the floor, yelping with a bewitching intensity that defies her charming beauty and occasionally cherubic whispers. Meanwhile, towering guitarist Brendan Tobin coolly strangulates leaden sheets of guitar strata from his battered six-string, bassist Cooper lunges in time as his instrument rumbles and slithers around Matthew Egan’s relentlessly churning rhythms and blood-splattering drum fills.

There’s no rock machismo in the sounds of Made Out of Babies, which just might be what makes it so unsettling and unique. Instead, the group bears a mysteriously unified all-out visual and aural aesthetic assault reminiscent of mid-period Black Flag. And yet, there’s a certain curious glamour to MOoB that gives it a monolithic appeal.

MOoB’s sophomore album was recorded with the equally intimidating Steve Albini at Electrical Audio in Chicago, which could only be described as a match made in… loud. Where its previous album condensed its songs into a single psychotic impulse, Coward blasts its sound inward as well as outward, like a cathartic supernova from a band driven beyond any point of being rational.

From the very first throat-searing yowl that opens the album, Coward is, quite simply, bigger that you. “Proud To Drown” lurches with Cooper’s staccato bass line tugging at Eagan’s pulsating 6/8 drum pattern while Tobin’s Middle Eastern tinged riff winds it all up to erupt. While “Fed” temporarily cools the band’s frenetic energy to greasy throb, it seems primarily to highlight the fact that Julie can really sing – not that any of us are likely to coax a sweet lullaby out of her anytime soon. But, her vocal acrobatics — leaping effortlessly from a demure whisper to a note-perfect murderous scream — are in finest form here, reminiscent of Leslie Rankine of Silverfish and/or a more demented Karen O of the Yeah Yeah Yeahs. Throughout, the album Made Out of Babies remains evocative, intimidating, brutally frank and — as the International rock press shouted with glee over the band’s stunning debut – by far Neurot Recordings’ most unabashedly rocking outfit.

interviews tour dates

People Noise continues seemingly endless six-month U.S. tour supporting debut album Ordinary Ghosts

People Noise continues seemingly endless six-month U.S. tour supporting debut album Ordinary Ghosts, Louisville, KY band features ex-VHS or Beta guitarist Zeke Buck.

Louisville, KY quintet People Noise is on a mission. Just like in the days before the Interwebs when the only way for a band to build a fan base was consistent touring, the band led by former VHS or Beta guitarist Zeke Buck set out on a seemingly endless tour last April with dates stretching into late September this year. …And the tour itinerary keeps stretching onward.

“There’s so much lost time to cover,” says Buck in a recent interview with The Louisville Eccentric Observer’s Mat Herron. “Basically, I’m trying to start anew.” After a successful 10 year run in VHS or Beta – which included a national arena tour with Duran Duran – Buck now devotes his time and talent to People Noise, the band he started with good friend and ex-Boom Bip member Matt Johnson. With Johnson on drums and Buck on, well, everything else, these Louisville natives have produced an epic, drone-laced rock album reminiscent of Black Rebel Motorcycle Club, Spiritualized and Interpol.

Although we never heard him sing a lick during his years in VHS or Beta, Buck’s resume would lead us to ask the question, “why the hell not?” From the ripe age of only four years old he was belting out opera all over the country until the inevitable struck: puberty. Unfortunately for him, it struck in the middle of a performance. It wasn’t until only recently that Buck began to sing again. For a number of months he studied under Turley Richards, a blind Louisville musician with a vocal range that would impress Whitney Houston, and eventually regained the confidence that was lost long ago. On People Noise’s debut album Ordinary Ghosts, Buck sings about everything from reincarnation to thoughts on his former band.

Johnson, a guitarist turned drummer with an experimental electronic music background, boasts quite a resume himself. During his time in Boom Bip, he toured extensively across Europe and has shared the stage with notable acts like LCD Soundsystem, Yo La Tengo, Pinback and Matt Pond PA. Johnson has also performed at London BBC Peel Sessions, Centre Pompideu, Royal Festival Hall and The Renne Music Festival in Renne, France. Not to mention he studied the djembe under Yaya Diallo for a number of years. Quite an accomplishment for a guy who wrote and performed all of the drum parts on Ordinary Ghosts on a rural Kentucky farm with no internet and no cell phone service!

For its live shows, Johnson and Buck are joined by Rahman McGuinnis on guitar, Woody Woodmansee on keyboards, and Sam Marino on bass. People Noise’s debut album Ordinary Ghosts album hit stores on June 12th. And, considering its crazy tour schedule, the band might be available to deliver its album straight to your door.

People Noise on Tour:
07/03 Athens, GA Tasty World
07/04 Chapel Hill, NC Blend Nightclub & Lounge
07/05 Atlanta, GA The ISP Space
07/06 Tampa, FL New World Brewery
07/07 Orlando, FL The Back Booth
07/09 Jacksonville, FL Jack Rabbits
07/10 Tallahassee, FL The Beta Bar
07/11 Deland, FL Cafe Davinci
07/12 Delray Beach, FL City Limits
07/13 Miami, FL Churchill’s Pub
07/14 Gainesville, FL The Atlantic
07/15 New Orleans, LA House of Blues (The Parish)
07/16 Montgomery, AL Off the Wagon
07/17 Jackson, MS Swell-o-Venue
07/18 Little Rock, AR Sticky Fingerz Rock-n-Roll Chicken Shack
07/19 Lafayette, LA The Grant Street Dance Hall
07/20 Houston, TX The Meridian Room
07/21 Austin, TX Beauty Bar
07/25 Salina, KS Lucky’s Bar
07/26 Kansas City, MO El Torreon Ballroom
07/27 Tulsa, OK DFest
07/28 Oklahoma City, OK The Conservatory
07/29 Aurora, CO Wyatt’s Torch Bar
07/30 Boulder, CO The Trilogy Lounge
07/31 Denver, CO 15th Street Tavern
08/01 Albuquerque, NM Atomic Cantina
08/04 Phoenix, AZ Casa Blanca
08/06 Pomona, CA The Glass House
08/07 San Diego, CA The Jumping Turtle (All Ages)
08/09 Davis, CA KDVS 90.3 (In-Studio)
08/12 Eureka, CA The Boiler Room
08/15 Seattle, WA The High Dive
08/18 Boise, ID Neurolux
08/19 Salt Lake City, UT Monk’s House of Jazz
08/20 Riverton, WY Fremont County Fairgrounds
08/24 Missoula, MT The Badlander
08/25 Fargo, ND The Nestor
08/27 Omaha, NE The Slowdown
09/01 St. Louis, MO Lucas School House
09/02 Clinton, IA Zabbies
09/03 Des Moines, IA Vaudeville Mews
09/11 Augusta, GA The Mission
09/26 Durham, NC Duke Coffeehouse
10/11 Bloomington, IN Live From Bloomington