The Happy Hollows announce October release of highly-anticipated full length<\/p>\n
\u201cA killer hybrid of Kim Deal, PJ Harvey and Emily Haines. Negahdari has the guitar chops, explosive energy and winning sense of humor that should make The Happy Hollows one of the more interesting bands of our new millennium\u2019s next decade.\u201d — Wired Magazine<\/p>\n
“A pugilistic mix of stinging guitars, turbulent rhythms, and shouted vocals. Alternates between childlike experimentation and ferocious firestorm.\u201d — Los Angeles Times<\/p>\n
Acclaimed Los Angeles trio The Happy Hollows have announced the release of their debut full length in October. The album, Spells is a culmination of their work with producer and former Mighty Lemon Drops guitarist David Newton (The Little Ones, The Blood Arm), who also produced the group\u2019s 2008 EP Imaginary. The young group’s infectious and irreverent noise-pop has earned considerable following up and down the west coast, with their energetic and charismatic performances. Vocalist\/guitarist Sarah Negahdari wields ominous riffs and finger-tapped arpeggios while singing with a cherubic-yet-mischievous grin. Meanwhile, the agile rhythm section of Charles Mahoney (bass\/vocals) and Chris Hernandez (drums\/vocals) vault and lunge with precision.<\/p>\n
Wired Magazine recently described Negahdari as \u201ca killer hybrid of Kim Deal, PJ Harvey and Emily Haines\u201d and added that \u201cNegahdari has the guitar chops, explosive energy and winning sense of humor that should make The Happy Hollows one of the more interesting bands of our new millennium\u2019s next decade.\u201d The BBC picked them as a band to watch for 2009, the Los Angeles Times has described the group\u2019s sound as a \u201cpugilistic mix of stinging guitars, turbulent rhythms, and shouted vocals\u201d that \u201calternates between childlike experimentation and ferocious firestorm.\u201d AllMusic wrote that the band\u2019s \u201cappeal is immediate\u201d and LAist has labeled them \u201ca must see!\u201d<\/p>\n
The Happy Hollows’ catchy yet dissonant sound is influenced by genres as disparate as 90’s college rock, garage punk, art rock, and 80’s pop. The band combines innovative song structures, surreal lyrics, and fiercely adept instrumentation to recreate reality into a jagged panorama of vibrant, kaleidoscopic collage. Listening to their music, one cannot help but see visions of a place oddly askew from the world we experience everyday, a parallel universe that is at once whimsical, demented, and ferocious.<\/p>\n
Having born and bred their band in various corners of the L.A. music scene since forming 2006, The Happy Hollows played their first shows in Japanese restaurants, laundromats, and small local clubs. In their first year as a band, they snuck into a studio at night and, in two sessions, recorded Bunnies and Bombs, an EP that attracted the attention of the L.A.’s underground music scene. After seeing them play a show, established L.A. heroes Silversun Pickups asked The Happy Hollows to open for them at The Wiltern and The Fillmore. In 2008, fellow art-rock outfit Deerhoof invited the Hollows to open for them on their album release shows at The Avalon and The Great American Music Hall.<\/p>\n
In October 2009, The Happy Hollows will release their debut album entitled Spells. The 14 tracks on Spells encompass the wide range of structures and musical ideas that The Happy Hollows bring to the table. The album\u2019s opening track, \u201cFaces\u201d, begins with a crunchy guitar hook strummed by Ms. Negahdari on her Gibson SG. The song takes an unexpected twist with the introduction of the drums and bass, and yet another turn when Negahdari\u2019s irresistible, chanteuse style vocals begin floating over the music. Track 3, \u201cSilver\u201d, is a gritty and danceable song that shows off Ms. Negahdari\u2019s unconventional lead guitar technique. On track 5, \u201cLieutenant\u201d, the band demonstrates their technical chops as well as their ability to compose songs with non-traditional structures. Two of the later songs on Spells, \u201cFather Time\u201d and \u201cTurtle and Hare\u201d, highlight the band\u2019s more eerie and melodic side.<\/p>\n
In summary, Spells is an album which is at once catchy and innovative. It is gritty, loud, and ambitious, while not shying away from the use of melody and the employment pop sensibility. Written and recorded over a period of two years, it will certainly stand as one of the definitive statements of the Los Angeles and indie rock music scenes in recent memory.<\/p>\n
The Happy Hollows live:<\/p>\n
Aug 08 San Diego, CA @ Kensington Club<\/p>\n
Aug 28 Santa Cruz, CA @ The Crepe Place<\/p>\n
Sep 04 Los Angeles, CA @ Spaceland (Album Release Party)<\/p>\n
Artist: The Happy Hollows<\/p>\n
Album: Spells<\/p>\n
Release Date: October 06, 2009<\/p>\n
01. Faces (MP3<\/a>) The Happy Hollows announce October release of highly-anticipated full length \u201cA killer hybrid of Kim Deal, PJ Harvey and Emily […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[],"tags":[],"class_list":["post-3043","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/posts\/3043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/comments?post=3043"}],"version-history":[{"count":1,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/posts\/3043\/revisions"}],"predecessor-version":[{"id":3048,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/posts\/3043\/revisions\/3048"}],"wp:attachment":[{"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/media?parent=3043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/categories?post=3043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mvremix.com\/rock_blogs\/wp-json\/wp\/v2\/tags?post=3043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n02. Death To Vivek Kemp
\n03. Silver
\n04. We Will Find You
\n05. Lieutenant
\n06. Father Time
\n07. Monster Room (MP3<\/a>)
\n08. High Wire
\n09. Turtle and Hare
\n10. DeLorean
\n11. The Stein
\n12. Tambourine
\n13. A Man, A Plan, A Canal
\n14. Second Lieutenant<\/p>\n","protected":false},"excerpt":{"rendered":"