The Remixes, Vol. 1 reveals that Araabmuzik is on a mission.
The 24-year-old wants to bridge the gap between the trap and the stadium.
The Providence, RI-bred producer best known for his trademark MPC techniques—which include producing rapid rhythms, electronic sounds and well-crafted melodies all at once–and production the Dipset crew (as well as 50 Cent, Fabolous and Busta Rhymes) diversifies his palate on The Remixes by trying his hand at recreating many EDM anthems.
Dub step bass drops and synth squiggles of get reframed from an electronic jog into a slowed-down recline on the opening remix of Mt. Eden & Freshlyground’s “Sierra Leone.” The revision of Brass Knuckles’ “Bad Habits” similarly pitches down the original’s dubstep bounce into a slow-burning gangsta rollick. The original’s poppy female vocals are removed for the exception of a looped “you….”’s, “Sometimes it’s good to be”’s and “I do it all for you.” ‘s. The changes displayed on these opening tracks completely change the energy of both tracks without completely dismantling their original intent.
The rest of The Remixes, Vol. 1 follows in the vein of the aforementioned opening tracks with Araab adding brooding and cinematically tense atmosphere, hip hop drums and impressive MPC twiddling to an array of EDM head bangers—most impressively on the remixes of Benny Benassi & Gary Go’s “Cinema” and The Bloody Beetroots’ “Chronicles of a Fallen Love” (where a nice melodic edge is added to the original’s almost monotonic electronic grind). A nice and surprising deviation from the set’s focus on EDM reimagining is Aaarb’s rework of Taana Gardner’s oft-sampled club classic “Heartbeat”. The 1981 original’s slow-disco funk is remixed into an almost narcotic groove with Gardner’s now-famous vocals intact.
While The Remixes Vol. 1 probably won’t hold much appeal outside of a club or festival setting or a beat head’s Beats by Dre’s, it does its job with fusing a hard street stare with EDM fist pumping.