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Jay-Z Kanye West Reviews

Watch The Throne Tour – Kanye West & Jay-Z in Montreal

Yesterday, amidst a crowd of 15,000 fans, two of the biggest names in hip-hop took the stage for a two-hour and forty minute marathon of rhymes and beats. As Ye and Jay rose above the crowd on fourteen foot platform covered in LEDs, you could tell this show would be one for the ages. Spitting their verses on “H.A.M.” from their respective “thrones,” and moving right into “Who Gon Stop Me” without a pause. And then joining each other on one stage to belt out their lead single with pyrotechnics and lasers spazzing all over the Bell Centre: “Otis.”

Did I mention this was only the first ten minutes of the show?

The Throne worked through a large chunk of their new album, and then started taking turns on their solo tracks. Hova was right at it with “Where I’m From,” “Nigga What? Nigga Who?” and coming back later on for “Hard Knock Life” and “Izzo (H.O.V.A.).” It seemed to me like Jay wanted a lot of the stage time to be given to Kanye – who was sporting a skirt/kilt and leather leggings for the better half of the night. For every Jay-Z song, there were three Yeezy songs. While I don’t mind the imbalance, as I’m a bigger fan of Ye than Jay (crucify me now – you have my permission), it still seemed strange to me.

Regardless, Kanye was flawless when it came to renditions of “Can’t Tell Me Nothing,” (that had a laser light show reminiscent of his Glow in the Dark tour) “Jesus Walks,” “Touch the Sky,” and “Good Life.” Heck, the songs I’ve listed are just the tip of the iceberg. The duo went through about forty tracks in total, and Kanye even got the chance to do his eight minute version of “Runaway,” as well as  a powerful sing-a-long to finish off “Heartless.” All while standing on a raised platform, of course… in a kilt.

They got through the majority of their new album. “New Day” was definitely a highlight, with the two rappers just sitting on the stage, spitting their rhymes about being fathers one day soon. And when it came time to finishing off the night, “Niggas in Paris'” Blades of Glory sample came through the speakers – the crowd went off! And when they were finished? Again. Went off for the encore. Came back on. Guess what? They played it again. And when it was done? Jay yelled, “AGAIN!” And finally… one more time. Unless my ability to count was lost, they played “Niggas in Paris” five times. And you know what? The majority of us didn’t mind one bit, dancing and bumping to it like it was the first time it had been played. Every. Single. Time. The Bell Centre hasn’t been so electrified by a hip-hop crowd in a while.

Egotistical much? Yeah, but a well-executed show no doubt. They gave the fans more than their money’s worth in lasers, lights and pyrotechnics. I have no idea if another tour like this will hit your town after this leg, especially with Jay’s baby on the way. If you can make it out to a show, despite the pricey tickets, it’ll be well worth your time. That shit cray.

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Eminem Reviews

Show Review – Eminem at the Osheaga Music Festival, Montreal

After more than a decade with a lack of Slim Shady, Montreal was graced with the Detroit-native white rapper just last night. Eminem grabbed hold of the record setting crowd (in the six-year old festival’s history) of 38 000, and refused to let go. As his show-opening track states, Shady just “Won’t Back Down.”

Eminem had stopped performing live back in 2005 when his drug addiction started to seriously interfere with his health. However, he’s been making a comeback to the stage in the past year, mainly performing at European music festivals, as well as Tennessee’s Bonnaroo earlier this summer. He also did a set of shows with Jay-Z last year at Yankee Stadium and Comerica Park in New York and Detroit, respectively. Even then, his performances are few and far in between, and an Eminem concert is not something that’s easy to come by. Montreal thought they were in for a treat.

And they most certainly thought right. Eminem played hit after hit, usually rapping the first verse and chorus, then moving on to the next track. While odd at first, it still somehow worked. “3 a.m.” flowed directly into “Square Dance,” both of which were short-lived. And believe me, the thunderous crowd didn’t mind it at all. Em took a pause and asked, “Montreal, how many of you have ever had beef with your parents?” And broke right into “Cleanin’ Out My Closet.” Royce da 5’9″ even joined him up on stage to spit out a couple of songs from the new Bad Meets Evil album, Hell: The Sequel. When they dropped “Lighters,” the crowd actually lit up with a “sky full of lighters” and cell phones.

The hits kept on coming, with “Stan” and “Love the Way You Lie” getting huge reactions. The Eminem we had been waiting to see all summer came out in full force in each stanza of his rhymes, and his sporadic pacing on stage. Audience members waved their arms, bounced to the beat and didn’t stop roaring. Definite highlight of the night: “Space Bound” was performed live for the first time. It may not have gotten as big a cheer as the encore “Lose Yourself” did, but it felt truly special to see and hear the Recovery track rapped for its first time in front of the massive amount of Eminem fans.

Negatives? None. Sheer perfection from one of the most talented, yet controversial, artists of our time. I think we all just wish we could’ve had Em on stage just a bit longer, so he could perform more songs in their entirety. Choice words: Loud, in your face, and on fire… even if there was a lack of pyrotechnics. If you can make it out to a show of Eminem’s, don’t even hesitate. Go ahead and simply “Lose Yourself.”

Setlist

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Videos

Miike Snow – Sylvia live at Osheaga 2009, Montreal, Quebec

Miike Snow – Sylvia live at Osheaga 2009, Montreal, Quebec

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Videos

Lykke Li live at Osheaga 2009, Montreal, Quebec

Lykke Li live at Osheaga 2009, Montreal, Quebec

Lykke Li stole the show at the Meg stage during 2009 Osheaga Festival. Taking the stage nearly half an hour late due to technical difficulties that plagued the Meg stage since The Stills’ set, she came on with flair and controlled the audience. Even when she accidentally dropped her mic, she recovered and performed with such a presence that every audience member was enveloped. Truly an excellent show.