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Statik Selektah – Extended Play album review

Although he has been on the music scene since the mid –nineties, Statik Selektah’s Extended Play is only his fifth official studio release. It comes at an interesting time in hop-hop where the music is divided fiercely between the radio hit makers and the underground kings gaining listeners by the day. No matter what side you personally support, these different worlds collide beautifully on an album. Here we see a fusion of old school greats, main stream stars and up and coming heroes. The result is a genuine sound from all MCs involved backed by such a skilled producer. The scratch work is solid, the samples are creatively employed and the drums used add a hard edge to most of the beats. It is truly refreshing to see a true DJ like Statik behind the beats of songs.

Any project backed by a man known for king quality like Statik Selektah is bound to have hits. ‘21 & over’ features the lyrical best from both Sean Price and Mac Millar. Funeral Season implements a grimy Jadakiss sample while Styles P, Bun B and Hit Boy rap about violence in the streets. ‘Bring Em Up Dead’ has Joell Ortiz does his usual work on the song supported by the powerful horns and driving drum kit of the instrumental. ‘Live from the Era’ has a beat that impresses more than rhymes thanks to help from the Alchemist. ‘Game Break’ involves excellent rhymes about being a better person through music from all rappers involved with a great vocal sample from Biggie. The album closes out strong with ‘Home’, a song with Talib Kweli expertly rhyming about the importance of family and a positive home setting.

There are a fair number of forgettable songs such as ‘East Coast’, ‘Make Believe’ and ‘Big City of Dreams’. On most other albums, songs like these would have been passable but being put up against the other stellar tracks of Extended Play renders them irrelevant. This is this biggest weakness of the album as it suffers from prioritizing quantity over quality. Cutting out the less memorable songs from the track list could have elevated Extended Play to a different level.

Statik Selektah’s Extended Play is not only a great DJ album but also a catalogue and survey of the face of hip hop today. Whether you like what you see depends on personal preference but the range of talent and instrumental gems Selektah has assembled for this project will fail to impress no one.

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Freddie Gibbs & Statik Selektah Lord Giveth, Lord Taketh Away album review

Freddie Gibbs’ road is layered with evocative imagery; when he delivers, he delivers. His does not hold anything back, and his tough guy attitude never falters, contributing to the dark themes that are commonplace in the world of gangsta-rap. In his latest EP, Lord Giveth, Lord Taketh Away, Freddie Gibbs continues on with his street-smart bravado, teaming up with producer Statik Selektah, and a list of guest appearances, to create a 19 minute mix of ’70s music influenced production, hyper-technical rhymes from Gibbs and contributing bars from an eclectic roster of guests.

From beginning to end, this album does not indicate it was made in a day (which it was); Statik Selektah obviously takes his production seriously, as every beat and every note are synchronized perfectly, allowing Gibbs’ malleable flow to just smoothly go through well-chosen samples. Heavy organs start things off in, “Lord Giveth Lord Taketh Away,” where Gibbs showcases his ability to transition from rapid-fire, to staccato-driven rhymes, in a matter of seconds.

“Rap Money,” features Dogg Pound member, Daz Dillinger, who compliments Gibbs’ style with his similar, baritone-like delivery. “Affiliated,” is an onslaught of just raw, unrestrained delivery from Gibbs, and guests Reks & Push! Montana. “For real MCs to kill the likes of Lil Bs,” angrily proclaims Reks. Yikes.

Fred The Godson and Termanology shine on, “Wild Style.” The title is fitting for the the deliveries, especially Termanology’s; “I’ll put the grenade in your mouth, and blow your life apart,” rhymes Termanology, his machine gun flow almost as deadly as the images he creates with them.

“Keep It Warm For Ya,” is somewhat humorous in a way; Gibbs, along with Smoke DZA and Chace Infinite, rhyme about their sexual prowess, and how it keeps the ladies coming back for more. “Fix me mac and cheese, you know I’m a fat n***a,” states Smoke DZA, his clever wordplay also hilarious, considering the moody atmosphere Selektah creates on this track.

Lord Giveth, Lord Taketh Away is a solid release, and although it may not be near his strongest release, Gibbs proves that, even in a day, he can create something that looks completely effortless and flawless, proving that he is one of the most solid rappers in the game right now.

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Videos

Statik Selektah, Termanology & ST. Da Squad Cypher video

Statik Selektah, Termanology & ST. Da Squad Cypher video